8/19/2023 0 Comments Free fire movie![]() When Savile Row dandy (and “international asshole”) Vern gets shot in the shoulder, he’s told: “You’re gonna be OK – it’s mostly the suit.” And what suits! There’s a carnivalesque quality to the wardrobe, hair and makeup, with wide collars and ostentatious curls (“Charlie’s missing an angel”) lending colourful swagger to the performers’ movements, while neck scarves become eye-catching tourniquets.įree Fire’s sharp jukebox choices chime with Martin Scorsese’s role as executive producer. Wounds are painfully peripheral, with ankles, knees and ears bearing the brunt of the bashes. “I’m just regrouping…”įree Fire trailer: Ben Wheatley’s shootout starring Brie Larson – video Guardian “I’m not dead,” explains the ex-Black Panther. Caught in the crossfire are Brie Larson’s deal-maker Justine, Armie Hammer’s suave Ord and Michael Smiley’s increasingly pissed-off Frank, with Patrick Bergin’s Howie sniping from the rafters and Babou Ceesay’s Martin taking one in the head. Gleefully, they set Cillian Murphy’s IRA bagman Chris and Sharlto Copley’s South African gun-runner Vernon at odds, thanks to an explosive feud between Sam Riley’s black-eyed degenerate Stevo and Jack Reynor’s hot-headed, shaggy-haired Harry. In terms of slapstick comedy it combines a silent movie visual sensibility with a Looney Tunes symphony of cacophonous ricochets and recoils – “Ba-Ding-Dang-BONG!”Ĭontinuing their genre-bending experiments, Wheatley and co-writer/editor Jump return to themes familiar from their earlier work – men behaving like children people trapped in confined spaces the insane consequences of violence. ![]() As an exercise in stripping away narrative in favour of “pure cinema” sensation, it’s breathtakingly bold the ne plus ultra of nihilistic screen showdowns. Less an extended riff on the final standoff from Reservoir Dogs than an absurdist expansion of the close-range gunfight from The Naked Gun 2½, Free Fire is a delirious descent into choreographed chaos. In a deserted Boston warehouse, a gaggle of variously incompetent weapons buyers and sellers take random real-time potshots at each other after a volatile arms deal falls apart. A fter the high-concept gloss of their terrific JG Ballard adaptation, High-Rise, film-making partners-in-crime Ben Wheatley and Amy Jump go back to their grungy roots with a very different vision of the dystopian 1970s. ![]()
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